Sridevi’s lilting laughter—much like her screen presence, beauty, grace and unmatchable talent—lingers on as I remember my last conversation, in November 2017, with the actress, who spent 50 of her 54 years of life living the cinematic dream.
“I feel like a newcomer. I feel that my career is going to start now. It’s not finished; it’s going to start now,” she asserted, dismissing any desire to treat her fans to an autobiography replete with stories from her glorious life—starting as a child actor at four to superstardom in India.
Born in Sivakasi in Tamil Nadu on August 13, 1963, Sridevi began her career at the age of four in the devotional film “Thunaivan”. That marked the beginning of a journey in filmdom that saw her work across Tamil, Telugu, Kannada, Malayalam and Hindi productions, leading her to become one of the most formidable actresses of the 1980s and 1990s in Bollywood—in fact, the only female “superstar” the industry has seen.
As filmmaker Ram Gopal Varma put it, “She was like a creation of God which he does whenever he is in a very special mood as a very, very special gift to mankind.” Sridevi grew up to be known for not just her ability for slip into myriad roles—whether the double role in “ChaalBaaz”, as a woman with retrograde amnesia in “Sadma”, a shape-shifting woman in “Nagina”, a goofy crime journalist in “Mr. India”, the warm mother act in “English Vinglish” or the fierce and revengeful mom in “Mom”—but also for her expressive eyes, sheer comic timing and her fluid dancing skills, all of which made her a director’s delight.
“Hawaa hawai”, “Main teri dushman”, “Morni”, “Na jaane kahan se aayi ha””, “Mere haathon mein” are some of the iconic and classic dance numbers which gave cinema fans a chance to see the dancing talent of Sridevi.
As filmmaker Subhash Ghai, who directed her in “Karma”, said: “Introvert by nature, she was electricity with thunder in front of the camera. She would shock directors with each shot—be it dance, drama or romance. She was uncrowned queen of acting in all languages in her time.” In 2013, the government feted her with the Padma Shri, the country’s fourth-highest civilian award. Her work was widely lauded with a slew of other richly-deserved honours.
Sridevi, who over the years became quite a fashion icon—sometimes giving tough competition to her daughters—commanded popularity like few others.
“Her popularity and stardom had to be seen to be believed. We were shooting for the climax in Nandyal for ‘Kshana Kshanam’ and the whole of Nandyal came to a standstill when they came to know that Sridevi was in town.
“Banks, government offices, schools, colleges everything in town closed as everyone wanted to see Sridevi,” Ram Gopal Varma recounted in a tribute after the sudden demise of the actress in Dubai late Saturday of a cardiac arrest.
Sridevi could also be extraordinarily warm and compassionate.
Co-producer K. Ramji of Tina Films International, told media: “In 1986, while shooting for ‘Sindoor’, the heroine Neelam Kothari was staying in the same hotel as Sridevi. Neelam was a great fan and wanted to meet her, but was apprehensive about approaching an established star like Sridevi.
“Finally, when she took courage and entered her room, Sridevi got up to receive and welcome her, commented on Neelam’s lustrous hair and they became instant friends.” In an industry where women beyond a certain age struggle to find roles, a 50-plus Sridevi proved she still had it in her when she carried two films—her “comeback” vehicle “English Vinglish” and last year’s “Mom”—on her shoulders.
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